Monday, August 26, 2013

Ricoh India: a well-planned remarkable growth!

Ricoh India: a well-planned remarkable growth!

Fast growing digital printer organisation Ricoh India is leaving no stone unturned to tap the expanding Indian market. Their installation base has risen remarkably and is entering new market segments, as revealed by Tetsuya Takano, managing director and CEO, Ricoh India Ltd, in an exclusive interaction with Print & Publishing editors SK Khurana and Varsha Verma. Excerpts. 

With barely one and a half years of opening their India operations, Ricoh India boasts of 300 percent growth in installation and 240 percent growth in revenues for the year as against the six months ended in March 2011, told Avijit Mukherjee, chief operating officer, production printing – SBU, Ricoh India Ltd.

Supporting his statement, Tetsuya Takano added, “We have installed 40 units of colour digital printing units apart from 60 monochrome digital printing units this year and are hoping to install ten more colour machines soon.” Compared to the figures for their six months ending March 31, 2011, the installation of 10 colour units and 26 monochrome units, this year’ figures definitely seem promising.

Interestingly, geographically maximum installations of Ricoh machines have been in South and West, which is because of capacity utilization. “In northern India, a customer adds another engine when their page print count crosses 1,50,000 while in South and Western regions, a customer adds a printing machine when figure crosses 50,000,” explained Avijit. He also added that in South and West the price per print is higher than that of North by default quality is better.

Today, Ricoh is number one in the colour digital printing market segment with 38 percent market share, as revealed by Anjana Saha, marketing manager, production printing business group, Ricoh India Ltd, whereas previously Ricoh was enjoying a market share of 33 percent. Their printing engines are priced competitively vis-à-vis the counterparts. “We are very active in the mid-segment and have different models to suit multiple requirements. We have as many as five variants with prices ranging from Rs 40-70 lakh depending on the configuration,” shared Anjana. These printers also come with different finishing built-in options.

Besides, Ricoh’s marketing tie-ups with Heidelberg and Redington have positively added to their growth. “We have a symbiotic relationship with them and are hoping to reach more target audience. We will provide technology, service support and supplies for the machines sold by Heidelberg while Redington can handle the service part themselves,” told Avijit. Very recently Ricoh’s Pro C751 has been installed at the Heidelberg demo centre in Chennai.

Little wonder then that Ricoh is experiencing growth from segments like photo labs, graphic arts and offset printers (especially for short-run advanced copies). “Besides, we have good business from the government and education institutes like Kolkata University, IIMs, etc,” told Takano.

With the increasing popularity of ‘print on demand’ applications in the book publishing industry, digital printers have been growing tremendously. Some of Ricoh’s customers like Repro, SV Graphics, Seshsayee, Syndicate Binders, etc are using digital printers for this application. All this has been possible due to various factors and Takano attributes their success to targeted growth, efficient staff and good motivation from the management. Ricoh’s demo centres in Bangalore and Delhi are a hit with prospective buyers. “People come to our centres across the country, play and test with their files in friendly atmosphere. They are amazed by what the machines can do for them,” told Anjana proudly.

For the benefit of their Indian customers, Ricoh is planning Ricoh Asia-Pacific Days on May 4 at drupa 2012, Germany. Besides, May 7 has been earmarked specifically for Indian customers.

IIPPF 2013: all set to make a mark

IIPPF 2013: all set to make a mark



To be held from August 6-9, 2013, the debut show of India International Printing & Packaging Fair (IIPPF) 2013, is all set to open its doors. Organised by ITPO, the nodal agency of the Government of India for promoting the country’s external trade, the show is poised to mark its presence in this segment. Here, Rita Menon, chairperson and managing director, ITPO shares about their plans for this annual show, in conversation with Varsha Verma.

The backdrop…

“With huge developments taking place in the printing industry, which is valued at US$12 billion and is growing 12 percent annually, and with the immense focus on the packaging industry valued at US$ 14 billion and growing at 15 percent annually, IIPPF 2013 is the calculated and determined debut of ITPO in this segment,” started off Rita Menon, the dynamic chairperson & managing director of ITPO. “Besides, there are more than 8,000 periodicals being brought out in India which are definitive out put of print industry. The printing industry is witnessing rapid technological innovations.”

The aim…
Rita Menon
Rita Menon
ITPO has always been in the forefront for playing a proactive role in catalysing trade, investment and technology transfer processes. “We are committed to promote entrepreneurship as well as entrepreneurs in their efforts to provide employment and boost economic growth at their own levels. The printing and packaging industry has seen many entrepreneurs and it is a labour-intensive industry,” explained Rita.

“Infact, ITPO has supported a generation of entrepreneurs and with IIPPF we wish to take it further,” added Prabhat Chandra Sharma, general manager, ITPO, who was also present in the conversation.

The USPs…

“IIPPF 2013 has a unique proposition, as we are organizing the show to facilitate interaction between the exhibitors and the visitors. This is our avowed aim and is critically important for the small scale and medium scale sector in India. Besides, the show is being held at the most convenient and centrally located venue – Pragati Maidan, which is well connected by public transport including the Metro Rail, apart from abundant parking space, etc. The exhibitor space is attractively priced at Rs 4,000 per sq m for bare area and Rs 5,000 per sq m under shell scheme,” informed Rita.

The expanse…

The show will be held in Halls 10 & 11 and Rita hopes that they would be able to cover nearly 6,000 sq m of space, attracting around 100 exhibitors. “Over 300 visitors have already registered for the show on our website,” she added.

Industry support…

ITPO has received support from the Delhi Printers’ Association (DPA), who are knowledge partners as well as from the PHD Chamber of Commerce & Industry (PHDCCI), who are the conference partners of the show. Besides, National Small Industries Corporation (NSIC) is also supporting the show.

“DPA is helping us in promoting the show with its own channels, creating awareness in the industry through their newsletters, helping in organizing road shows at different locations, etc. While, PHDCCI has been entrusted with the responsibility of organizing seminars on various relevant subjects. The event will help the industry brainstorm amongst itself and also suggest policy initiatives for the consideration of the government,” told Rita.

Marketing initiatives…

ITPO is leaving no stone upturned to popularize the show, be it print/electronic media, B2B portals, road shows, newsletters, etc. Road shows have been planned at Amritsar, Ludhiana, Faridabad/Delhi, Karnal etc, besides the regular media vehicles like press advertisements, e-mailers, direct mailers, telemarketing, etc. “We are also planning to release TV spots on major channels as also the radio spots on FM radio,” added Rita.

Besides, DPA and ITPO are conceptualizing an ‘Excellence in Printing Awards’ which would generate a lot of interest in the industry. There would be three prizes for best display as well.” We will also give an evaluation form to exhibitors to give us feedback to improve our show further,” she added.

On competition…

Asking about the competition faced from other printing shows, Rita confidently replied, “In a world dominated by competition, there is a room for whole lot of initiatives. We deliver a potpourri of experience which is unmatched and have effective partners to make each event a world-class one. There is so much entrepreneurship and talent available across the industry and we wish to give them a boost. We are fairly confident that IIPPF would make a place for itself.”

“ITPO is committed to make IIPPF the largest printing and packaging show in India while facilitating the industry to keep its costs of promotion very affordable. We are also trying to bring in some renowned brands in India to partner with ITPO. We welcome all to come and enjoy this show,” concluded Rita.

Beyond fonts!

Beyond fonts!

What comes to your mind, when you think of Monotype? Ofcourse, fonts and too many fonts...but Monotype is not just a developer of fonts, it is the leader in global typography, which has evolved over the years from mechanical typesetting to digital. More recently, Monotype was in news for setting up a Global Innovation hub in India. What this hub is all about and how Monotype is making print and digital versions look same, finds out Varsha Verma in a discussion with Neeraj Gulati, managing director, Monotype Solutions India Pvt Ltd.The meeting was set up in a posh conference room named ‘Helvetica’ (apt name for a global typographic leader and Helvetica is by far one of the widely used sans-serif font) in Monotype India office in Noida. “Well, fonts play a major role in our life and Monotype has some of the iconic fonts to its credit,” started off Neeraj Gulati, managing director, Monotype Solutions India Ltd. “Monotype’s lineage goes back to more than 100 years. Infact, we have been a part of printing transformation from mechanical typesetting to desktops and now to display devices. Each device, be it a kindle or any other e-reader, has a different screen. The fonts should be such that they are not only legible but also look good on all devices,” he added.
Neeraj Gulati
Neeraj Gulati
“Besides, brands and organisations initially faced problems with web publishing as they wished all their marketing communications to look same on all devices. Thus, we came up with web fonts, which when embedded in the web publishing software, gives the same look to the content, whether that particular font has been installed on that device or not,” he told. “Thus, we open up a Pandora box for designers, who can now be limited only by their imagination.”

Talking about their e-commerce of fonts, Neeraj told that their website fonts.com offers more than 1,50,000 fonts for different reasons and different occasions. “Designers can log onto the website, try the various fonts and can buy the fonts they like, right from their desktop. This is possible due to the cloud technology we use. Thus, designers are not limited to their desktop/system fonts, thus making their life absolutely seamless,” he added.

And what’s more? Every day, new fonts are launched at myfonts.com where designers can market the new fonts they create. Neeraj gave an example of a lady who was marketing her font at their website myfonts.com that was picked up for the Hollywood movie The Great Gatsby.

Coming to the Global innovation hub in India, Neeraj informed that they are physically present in India since March 2012 and have been developing products for all their centres across the world. “We are heavily focussed on type and technology and have been researching on new products and soon we would be launching these newbies developed here. Though we are very much focussed on the brands in India going digital, we are here to nurture the ecosystem. Our type technology would be global, with a special attention to India. This Indian office has a room for over 200 people and globally we have a head count of 350 people globally.”

In lieu of this, Monotype recently launched Devanagari font called Frutiger Devanagari, at Typography Day 2013, held at Indian Institute of Technology, Guwahati. “Vernacular is the way to go. In the population of 1.2 billion, only 200 million people are comfortable with English, brands and communication have to harness the power of 22 languages present in India,” he added.

“Hence, Monotype is working across print and digital divide. We are working towards offering solutions to brands and publishers to make their communication more effective and powerful, all through the use of fonts,” he concluded.